Test concept
One concept, three hooks, fully edited. The fastest way to see if we click.
- One script, three hooks
- Casting and voice included
- 9:16, captioned, ready to upload
Scroll-stopping video ads with realistic AI creators, native-feeling edits and three hooks on every concept. No creators to chase, no product to ship, no reshoots.
Briefs, shipping product, a two-week wait, then a reshoot because the light was off.
Stiff faces, flat voices, and the same stock avatars every other brand is running.
Winning accounts test new hooks every week. You need volume that still feels real.
So I make ads the way media buyers test them: real-feeling people, cut like native content, with hooks you can swap.
From a selfie review to a Pixar-style cartoon. Pick the format your account is missing and see every ad I’ve made in it.
Tap any ad to watch it with sound and flip between its hooks.
Ten-second clips with no brief and no brand, made to see how human the models can get.
Same editor, wider frame: a three-minute product walkthrough for a construction app.
Most ads are decided in the first three seconds. So every concept ships with at least three openings on one shared body: you test the hooks, keep the winner, and I cut new challengers.
Every face below was generated, and so were the voices. One casting per campaign, locked so the same person shows up in every shot, every hook and every concept.
Your brand gets a recurring character instead of a random avatar. Want a spokesperson who looks like your customer? That’s a casting brief, not a photoshoot.
The only real person on this pageAkash, the editor
Six steps from your product to a test-ready set. The last one is where most AI ads fall apart, and it’s the part I’ve done more than 1,600 times.
Send the product, the angle and any reference ad you want to beat. A Meta Ad Library link is perfect.
I tighten the script for pace, draft hook options, and flag lines likely to trip ad policies before anything is generated.
One AI actor per campaign, locked with reference stills so the face never drifts. A voice cast for pace and accent.
Talking heads, b-roll, 3D mechanisms, product shots from your real packshots. Re-rolled until nothing looks plastic.
Pacing, captions, sound and music, cut like native content by an editor with 6+ years behind him.
Every hook as its own 9:16 file. Notes by timecode, turned around fast.
One concept, three hooks, fully edited. The fastest way to see if we click.
A steady supply of new concepts and hook variations, for brands that test every week.
You keep the client. I deliver under your name, in your formats, inside your review loop.
No. Every creator in these ads was generated, and each campaign keeps one face and one voice across every shot and hook. Real footage only appears where a brand sent it (their dogs, their product, their app screens), and it’s cut in alongside.
The model is half of it. The other half is the edit: natural pauses, imperfect phone framing, your real product, captions that read like a creator wrote them. That second half is the part most AI ads skip.
Yes, both platforms run AI-generated ads. I flag lines that tend to trip policy before anything is generated (personal-attribute callouts, health claims you can’t back up) and deliver alternate takes when a line is borderline. Where a platform asks for an AI label, I’ll tell you.
Yes. Send the Ad Library link. I can rebuild your own winner shot for shot at a higher resolution, or take a format that’s winning in your category and remake it around your product, with the real product in every shot.
Your product (photos, footage or a link), the angle or script if you have one, and any ad you’d like to beat. No script yet? I’ll help shape one around the angle.
A first concept usually lands within a few days of a locked brief. Timecoded notes are usually turned around within a day.
It’s priced per concept (one body plus three hooks), with monthly rates for volume. Tell me what you’re testing and I’ll send a quote within a day.
Whatever fits the shot: Higgsfield (Soul, Nano Banana Pro, Kling, Seedance, Gemini Omni), Google Veo, Wan and ElevenLabs, then Premiere Pro and After Effects for the edit. The models change every month. The editing doesn’t.
I’m Akash Sahu, a video editor from Indore, India. Six years and 1,646 Fiverr orders in, I now build AI ads for brands in the US and Europe, and I edit every one of them myself.
why does her mouth move like that 😭2m · Reply
♡the voice is giving customer service robot5m · Reply
♡ai ad. scrolled.8m · Reply
♡